Tag: #hortondrawing
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Prepositional Drawings, 2008
These drawings are all white marker on black gouache on white rag paper. They measure 30 inches in height by 44.5 inches in width. Even though Open and Closed are included in this series, the titles evoke a spare direction that is nearly prepositional. True to form, this series deals with the minimalism and directness…
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Three Geometric Drawings, 2002
These are in a Private Collection in Charleston, SC. They are 22.25 inches square approximately and are charcoal pencil on rag paper. They are a portrait of my divorce. The divorce not only involved my husband and me, but also, more importantly, my son.
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Branch Shadows 1-8, 2021
These black and white drawings are seminal to becoming settled in my new studio. The branch from the dead tree outside the back door of my new abode was going to be thrown away. The person who sold me my living and working space was aware of my work; he held it up one day…
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Four Panels, Mountain and Branches, 2021
These panels reflect my new environment. The mountain “lines” represent the Berkshires in MA. And the branches images come from a template I made of a drawing I did of a branch broken off a dead tree/bush once planted outside my door. The incorporation of the drawings into the panel format demonstrates the influence of…
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Beginning Painting, 2007
There is never enough “beginning.” I was desperately seeking a means to dissolve the edges of the geometric templates at this time. As with any language, the characters are difficult to re-work, re-make into new means of communicating. Each part is sixteen inches square. The paintings are done with acrylic with some grease pencil enhancement.
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Untitled, Long, 2006
I just discovered these drawings the other day when I was searching for something else. They are yet another statement rattling the template of the arc into grid formats. They are each 50 inches high by 21 inches width. All mixed media.
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Healing Quilt Series 1-9, 2006
This series of drawings is one of the best explanations of my process coming out of using arc templates to create shapes, characters, and language. I did these after I did the three large Healing Series paintings. They are actually drawings for nine paintings. Each small square was intended to be 10 inches by 10…
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Two pastel paintings, 1982
In the 80’s, I did so many pastels, there was at least a half-inch of pastel dust on my first studio floor. I stopped doing them because the dust was going to affect my breathing and that of my family. These pastels were quite large, up to 100 inches across. They were hanging on a…
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White Characters, 2013
These drawings are all small, five and half inches by four and a half inches. Pigmented pen on black rag paper. The “character” designation manifests my concern with developing a language of sorts, even though no character means anything, only itself. This group of nine was not the only time I dealt with this stepping…
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50 Lines within a Square, 1973
These drawings adhered to the “concept” of doing them which is denoted by the titles. Seriously, the titles go on and on in a conceptual-art-descriptive format unfolding every detail of the idea that can be verbalized. Top: “25 Attempts to Fill a Square with 50 non-ruled lines…” Bottom: Top: “25 Attempts to Fill a Square…