These small drawings came out of seeing a tiny pile of twigs on my drawing table. The twigs had broken off apple tree branches with which I was making a large sculpture. I made the little pile because I knew that there was something interesting there.
In order to find the vision I imagined I would have, I photographed the pile. I enlarged the picture on the computer and made it black and white.
I traced individual black and white images on light blue paper and made each a different color, intending to span a legitimate “spectrum.”
I couldn’t have done this series without imaginary and sometimes actual conversations with Allan McCollum.
These drawings are derived from photographs that were taken of the hanging wrapped branch sculptures, the All Tied Up Series (https://lynhorton.net/category/art/2019/). Individual photographs were traced along a dividing line placed on a 15 inch by 11 inch piece of paper. The same traced image was then flipped and positioned in the other side of the dividing line to create an entirely new shape.
I could not have done these without an imaginary conversation with Allan McCollum.
All these pieces are diptychs, measuring 22″ in height by 44.5″ wide. They are mixed media: charcoal and watercolor crayon. (The thumbtacks are collaterally visible because the photos were taken by me and I didn’t know enough to do something other than that.)
This drawing, entitled Parallel to Palladio, was installed in the office of the President of United Satellite Communications, Madison Avenue, New York, NY. The interior designer was Tom Mahoney, then working with GN Associates, New York.