• Color on Color, 1998

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    In the process of converting images from slides to digital files using a small scanner, I touch years worth of antiquated records. The first time I went through my slides with the intention of cleaning them out, my husband and I had just divorced and among my first responses to being alone was to tackle…

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  • Images Submitted for my application to CalArts, 1969

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    This archiving process is changing my perception of everything. Taking me back and forth and through time and my visions and the depth of my desires. I remember doing the drawings like it was yesterday on the counter tops and sometimes the studio tables in the Art Department at Bradford College. The drawings were done…

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  • Just One More, 1-15, 2023

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    In my efforts to close down my almost two year project of Drawing with Nature with the photographs in the series Wide Angle on Nature As It Turns to Dust, and Coloring Book Pages and all the variations that will emanate from there which I have yet to document or even do, I came upon…

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  • Studies for Drawing on Drawing with Nature, 2022-2023

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    During the execution part one and two of the Drawing with Nature Series, the shape content of each of the photographs came to my attention, in some photographs more than in others. I printed out those which had the most discernable shapes and started to draw on them, tracing the easily visible edges with a…

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  • Loops, marker and colored pencil, 2014

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    In 2014, I seemed to have been relishing in the representation of my work by Cross MacKenzie Gallery. Therefore, I neglected to photograph many drawings. The three groups below are among them. The media for the first group of four are silver marker and putty beige colored pencil. They are each ten inches square. The…

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  • Black and White Twigs, 2022-23

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    In my pursuit of a consistent statement with the photograph above, which I believe to be one of the most powerful images I have ever photographed, I made 15 black and white images of groups of twigs that I grabbed from a pile that was not the aforementioned pile but a different pile of smaller…

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  • False Screens 1 and 2, 2022-3

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    These two pieces are an effort to employ a design format emanating from Japanese culture. It is my intention to begin to put together the present elements of my work in one place or in one place many times. The only addition I have made to the materials I use, i.e. pigmented pen and markers…

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  • Drawing with Nature, 101-207, 2022-2023

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    Through the times, the days change. It is becoming fall. The air is cooler, the colors naturally different, intrinsically pointing to the above ground life dying as the below ground life goes dormant. It is November now. The second phase of my picture taking begins. Drawing with Nature 106 through 116, posted on 11/4/22, my…

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  • Installation, 2022

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    Two drawings out of a series of six were chosen for a group show in October at a new gallery on what is becoming Gallery Row in North Adams. The street is Eagle Street. The gallery is called Future Lab[s] Gallery.

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